|
Hyun Lee at the old F de C sydney space last year. Veina trying on a vintage MMM inside out piece. (AH) ![]() ![]()
|
F de C Facebook, F de C shop, Places of Interest2011, Hyun Lee, Martin Margiela, the 1990'sJuly 29, 2012
|
Hyun Lee at the old F de C sydney space last year. Veina trying on a vintage MMM inside out piece. (AH) ![]() ![]()
|
F de C Facebook, F de C shop, Places of Interest2011, Hyun Lee, Martin Margiela, the 1990'sJuly 29, 2012
|
Tokyo, Nakano Sun Plaza Hall 09 07 1981 ( stage and backstage ) Kraftwerk are wearing Raf Simons AW 1998/99 |
modernizm, simple machines1981, 1998, 2011, aura, raf simons, tokyo, youtubeJune 21, 2012
|
Masahisa Fukase passed away on the 9th of June 2012. A homage to Fukase by Keiichi Nitta intended to accompany a story that never materialized for the F de C (de Rigueur) Reader #1. ( photos Keiichi Nitta ) ![]() ![]() |
Uncategorized2011, 2012, FdeC reader, grey, meltdown, The Void, topless menJune 17, 2012
Takashi Nishiyama in the harbour of his hometown Kisarazu, Chiba wearing items from his own first collection with a jacket by Kanya Miki. (photos ah)

material, wear2011, Takashi NishiyamaMarch 03, 2012
3 easy pieces: the (spam) invitations sent over a year ago for Antonin Gaultier: Archives 2005-10, the last show held at the old FdeC Tokyo location.
Greetings ! I have been waiting for you since to contact me for your Confirm able Exhibition of 2005-2010 (two thousand five - two thousand ten) documents, but I did not hear from you since that time. Then I went and prepared the Invitation with FIN DE CYCLE TOKYO, Japan, I traveled out of the country for a 3 Months Course and I will not come back till February 25 2011, the Opening Reception. What you have to do now is to save the date of February 25 2011 at FIN DE CYCLE TOKYO as soon as possible to make sure you will not miss the Opening reception for 2005-2010. For your information, I have paid for the security keeping fee, Printing premium and Vernissage Wine Fee of the Opening Reception showing that it is not a Drug Money in your Country. The only money you will need for FIN DE CYCLE TOKYO to acquire the Limited Edition Publication made for the Exhibition that will be on sale during the Opening Reception. Please bring Money as cash-only for the LIMITED EDITION PURCHASE of the Publication on the date of the Opening Reception.. Finally, make sure that you reconfirm your Attendance and Contact Information to then again to avoid any mistake at the Opening Reception and ask them to give you the tracking number to enable you track your Vernissage Wine over there and know when it will be refilled to your convenience. In a matter of summarize the Request, please save below Information for your Future reference: FIN DE CYCLE TOKYO present 2005-2010 (lost angles) Antonin Gaultier show and publication Opening Reception February 25 18:00 Yours Faithfully, Mrs Dominic Hills. Hello, My name is Maria Cristina Gamboa Regional Auditor BANCO DE ORO UNIVERSAL BANK PHILIPPINES.I have proposal which I will like to bring to your personal edification,i got your email contact through an agency that help seek people via email contact. I need you as a foreigner to help me celebrate the Opening Reception of the Solo Exhibition of 2005-2010 (two thousand five - two thousand ten) documents. This is a legitimate Invitation and you will be get vernissage wine for your"Assistance" I will give you more information upon your response to this proposal but please save the following Information for our Future Communications: Name on Account: F de C Antonin Gaultier Title: 2005-2010 (lost angles) Type of Account: Solo and publication Location: FIN DE CYCLE TOKYO, JAPAN Date: February 25 2011 (Opening Reception) 19:00 Hope to hear from you soon . Kind Regards, Maria Cristina Gamboa. Unlimited Nations Office Fond Relief notification You have been awarded a total Invitation for 2005-2010 (two thousand five - two thousand ten) DOCUMENTS by the Organization Fin de Cycle Tokyo 3-4-13 Koenjikita Suginami-ku, Japan , your presence would be required at the Organization location noted above in Koenji Tokyo, JAPAN on February 25 (Friday) from 19:00 PM (Tokyo time). This is an instruction passed by the Unlimited Nations in respect to all over delayed exhibition, document disclosure and limited edition publication. Please keep this e-mail as Reference for your International Master Invitation that has been approved in your favor, with value of three Vernissage Wine refills, which you are to use in accessing your fund at Fin de Cycle Tokyo location in cash-only in order to Acquire a limited-edition publication of the Documents exhibition. Kindly save the details below for Invitation. 1. Fin de Cycle Tokyo 2. Antonin Gaultier 3. 2005-2010 (lost angles) show + publication 4. Opening Reception February 25 2011 19:00 Regards, Dr. Anderson Spencer Foreign Service Directorate. |
Faximile, archive2011, Antonin Gaultier, base technique, digiki, exhibition, fin de cycleMarch 03, 2012
|
|
wear2011, home, vladimir karaleevSeptember 20, 2011

Google Image search for Kim Boa’s Starry Night
kookland, vernacular2011, base technique, copy, google, kim boa, pattern, simple machines, van goghAugust 27, 2011
|
Experiment: only speak words that carry feelings. Otherwise, don’t speak. Bit Jane Campion but, you know. What if words have difficult memories that are not quite deciphered and so that is kinda why they hang around and keep recycling out of the mouth? Doesn’t really matter – or, does it? Maybe it really matters. Well, I’m feeling now and trying to find the word. Actually, it’s a name. That Japanese Canadian popular physicist – not Suzuki the medieval haired one. How can that guy’s name carry a feeling.. Can we just walk around saying people’s names and that carries feeling? Words are a bit thingy / elitist. Taking themselves too seriously. Precious.. And when they want to be paid for? That’s strange and funny. Write a whole bunch of words on some subjective topic and bully/nag someone to pay for it. Please. You know what that sounds like. The view of a (so called) male chauvinist about his latest date. Like words are the – oh wait, what word will I use here. Because, I actually believe I am the only person (not really, I’m saying that for effect and to manipulate a response that agrees) who notices that the word female is used always instead of woman and also no one (exaggeration again but not really, it’s so staggeringly common) can actually spell the word woman. So that analogy, of course is kind of misogynistic but not really. Only when a woman plays into it: where she gets all thingy and believes she should be paid for. Dinner paid for, clothes paid for, roof over head paid for. Grammar – oh god… it’s even thingy about how it’s bloody spelt?! Just live with an er instead of the ar. Who gives a shit. I spose that extends the replacement and misspelling of woman analogy though. What’s it called? Slippery slope? I don’t know. Basically, the same though. Get used to it, no one gives a shit. It’s akin to the word black. Can’t believe all that crap is still floating around – oh a great simile here would make me look clever. Anyway. Only using words that carry feelings as an experiment is a fine idea, for Shakespeare but, it’d make you come across too self conscious. Then, no one would listen to those few carefully selected words at all. Good grief you may end up sounding like a first night poetry reading – unbearable. Mental image of anything that could never be made into a bear – strange word. Can’t be a bear? Nope. Adamant about that? Yep. ‘Oh, Shakespeare, you so crazy’ that’s what he’d love to hear. I know it. Make him laugh. That, and telling him that we’ve edited all his works to say female, never woman. (I wanted to misspell it: women – but, I don’t have enough faith in my reader – what a jibe). The jibe is – I have no bloody reader! (Oh so want to smiley face, right now) Experiment: over. |
||
![]() ![]() Sam is wearing vintage San Paredes Muumuu dresses at home. (2011 ah) |
||
capitalism, material, wear00s, 2011, base technique, Helmut Lang, meltdownAugust 01, 2011