Archive for April, 2010


Sadogashima. 2010 photo: Arnaud Meuleman

wind diaries: wednesday when it was real cold
there’s a technology of aging. an imprecision mechanics to my breakdown. i use the chemistry of coffee, the algebra of my double chain ring to keep it bay.
when did i get this weak? i was this close – fingers held a cm apart – to ordering a touring bike today as a ‘runabout’.

   
Crema. drawing Dan Hards

Thomas <-> Pierre Antonietti. 2010
T:  Quand l’ as-tu acheté ce cadre?
P: Le sponsor les cycles Champetier de Lyon me l’ ont prêté et donné en 1970. Il roule depuis 1970 jusqu’ à l’ achat du vélo Bianchi en 1998, que j’ avais vu au salon du cycle de Paris.
T:   Combien de fois a-t-il été sablé et repeint ?
P: Je l’ ai reçu en orange , chromé à l’ italienne sur la fourche avant et arrière, sablé une fois et peint dans le bleu gitane en 1980.
T:   Quel vélo utilises-tu ,composant du cadre,carbone ou alu?
P: ni l’ un , ni l’ autre,le cadre est en tube Chromoly,acier + chrome et molybdène,il pèse 10,5 kg.Je n’ ai jamais essayé de cadre carbone ,ni aluminium, mais  l’ acier est plus souple ,mieux adapté aux revêtements très rugueux ou déformés,sujet plus développé dans la réponse suivante. Pour les cadres alu, deux copains ont remarqué des décolements entre le tube et le manchon.Dans les démarrages, le cadre carbone répond mieux d’ après ce que j’ entends.
T:  Succès compétition?
P: la classique Bourg-Oyonnax-Bourg  et le cyclo-cross de Chazey d’ azergues.
T:  Succès dans la vie?
P: je crois que le velo me permet d’ avoir une bonne santé,m’ a permis de supporter le  mauvais temps,le soleil, les efforts répétés. De plus, le vélo permet l’ évasion, découvrir de nouveaux paysages, à un rythme humain, en ville un transport adapté. Il m’ apporte une forme de liberté, l’ on peut s’ arrêter quand on veut,aller vite si l’ on est en forme, humer l’ air, une locomotion individuelle qui recrée l’ espace.

 


Pierre Antonietti . 1970s


Mykonos. 2007. photos: a h


photo: alin huma
wind diaries. tuesday
I never go back and look.  Once i've ridden past, that's it.  But last night, a small sign tacked to the base of a roadside tree pulled me in.  It did because it felt Lynchian; it was the sign version of the ear in the grass with the ants on it.  It seemed so oddly out of place.  Like who was it for, caterpillars?  So I stopped and read the felt-pen script: 'bin here'.  Obviously, it was an instruction for the placement of a bin.  Which makes sense because the house it was closest too had been rammed by a learner driver, breaking the brick wall and crashing against the family room.  The bin would arrive and the bricks would be placed in it.  Mystery solved.  Though the sign still seemed weird.  I rode by it this morning, saw it from the back.  The absence of the bin throbbed.  It was disconcerting, and when the bin arrives nothing will be redeemed.  The bin will always be too late.  The sign - by being a sign - is lost, abandoned, hopeless; nothing can eradicate the time when the sign was there and the bin wasn't. And its forlorn spirit had entered me, become a part of me.  I can ride by, but never really pass it.   Another lesson in basic semiotics I guess; the sign is a sign of what isn't there...yet once seen, once imagined, can't be shaken in both its presence and its absence.  Which is why I established my 'never go back' policy in the first place.  The whole situation is impossible.  Only our destinations can save us getting caught in these looped linguistic traps.  Ride fast.  Ride faster than that.  And shower before you start thinking about what you might have passed.


Sadogashima. photo: Arnaud Meuleman

Your life somewhat depends on your footwear.

René Daumal


photos:chieko kawaguchi


 

wind diaries. saturday very early am

the dogs are quiet. they don't write down the names of new bands in their journals that they just saw on late night music TV. they don't kid themselves they know good music from bad music anymore. they don't know a thing about the fantasy we call 'experience'. though, I wonder, are we so different? Me and the dogs, I mean. How can I be so sure? They have watched as much TV as me after all, maybe more. The big dog - who cannot be drawn, because he is too fuzzy - might also feel the new pop is too much like the old pop. The little dog might feel - as she watches me draw up lists of pros and cons for the cross check and the long haul trucker - that all this TV watching combined with all this bike hobby action has deflected me from a real sense of purpose in life. I catch her eye. It is indeed accussing in this regard. I should be writing poetry, committing to a novel. Yet as she moves her head I can see too that she is questioning how I would feel about the very low bottom bracket of the trucker, even though I might covet the long head tube. The big dog is indifferent. For him it is 'all about the engine' and I am needlessly worrying about details. I wonder what his Bike Forums moniker might be


photo: sai hashizume 2009


  ginza 2007, alin huma

    setsuko hori


  photos: ebay.fr

I never wanted to be a cyclist.

Even saying that seems a step too far; just because I cycle doesn’t make me a cyclist- that strange bread of nylon-wearing, nostril-flaring indignant little shits who run lights, cut you up and run over grannies on zebra crossings. But I suppose I am. I cycle every day, usually 20-30km. I have a “cycling wardrobe,” which ranges from indecently skimpy shorts and vests for the summer and a complex layering system of lycra, Gore-tex and enormously baggy waterproof trousers for the winter. Being unable to ride sets me on edge; I get itchy and snap at people, sick for a fix. It forms a holy triad of dependencies along with alcohol and caffeine; and it drags me through all the energy highs and lows I get with those, too.

So I never wanted to be a cyclist. I wanted to be a runner. As a teenager, I obsessed with cross country, regularly turning all my extremities blue four times a week, trotting around London’s parks on Christmas Day, watching my breath puff out in white clouds. But then I did a half marathon and knackered my young knees for good, and turned to cycling as a means of transport. That’s all it was at first; I was your average mama-chari cyclist, just trying to get somewhere and carry my shopping at the same time and not fall off.

Then I started to discover the pleasure of ducking and diving around taxis, spinning the wrong way up the street, feeling untethered by highway codes, last trains, hell, even gravity. I tasted that kind of high-adrenaline freedom I’d only previously gotten when skiing; the city was suddenly mine.

I learnt that (wo)man+ bicycle = most efficient animal on earth. And before the pedants leap up to tell me that a human and a machine does not constitute as an animal, let me let you in on a secret; when you’re cycling, you and your bike is one. It’s not something that cages you, that empties your wallet, neither something that blasts radio or holds your takeaway coffee cup or warms your seat. No, it’s not a car. But with the lack of protection comes a heady and addictive freedom that’s hard to resist.

And yes, it turns you into an idiot. It’s like climbing to the top of Machu Picchu and seeing a horde of lard-arsed tourists getting out of a helicopter; it’s like being anorexic and taking schadenfreundich glee in watching your friend scoff a McDonalds; it’s like being a pious recycler and watching someone throw out swathes of un-decomposable junk. In short, it inflates your ego and turns you into an insufferable, evangelical, arrogant idiot (but it feels great). You speed past tortoise taxis, monstrously sized cars and trucks filled with people bored out of their tiny minds, tapping their thumbs on the steering wheel and listening to FM radio. You’re out there with the elements, lungs gasping, muscles pumping, capillaries bursting, getting a dose of dopamine and serotonin higher than Thain Bolt. The cocktail of brain chemicals that explodes when you cycle- high on physical exertion and moral superiority- makes you hate all other vehicles and their numbskull drivers, and encourages you to terrorize them. No, it’s not big or clever; but it feels fucking good. So good, in fact, that your ecstasy is quickly converted into pure murderous venom for those who come cycling the wrong way down the road (often without lights, holding an umbrella or child, and emailing someone on their mobile phone). Never underestimate the scorn of an obstructed cyclist.

Like many vegetarians, cyclists’ motivations change as they become more serious about it; first it’s about convenience, then personal health reasons, then for the sense of well-being, then for entering the little clan of like-minded people…. and before you know it, you’re saving the planet and boasting about it. Social and media pressure to reduce carbon footprints only provides fuel for your evangelical fire; then a cycle courier beats a helicopter in San Paulo and that’s it, your hobby makes you into some goddamn modern day saint. It’s sickening… but maybe true.

Where do the negatives step in? Well, the bare truth of it is that you look shit most of the time (if you’re going fast enough and not just pootling along on a bike that is far too expensive for your half-ass effort). It’s hard to balance my sartorial fantasies with cycling; I dream of being one of those pristine Tokyo ladies, with their immaculately swept back hair and un-laddered stockings, heels clacking down the street. I’ve dabbled in more ‘feminine’ cycling clothes; leather gaiters were one particular success. But eventually, I succumbed to the same trademark get-up as everyone else; lycra and waterproof gloves and luminous, billowing garments that make me look like the lovechild of the Michelin Man and a cat’s eye. It’s a badge of pride, I suppose, but you wonder after a while if such clothes are a bit like nail extensions or car parts; they only bring you kudos from other people who own them, who are in the ‘club’. Everyone else looks at you with a look of slight bafflement and revulsion. It also requires you to carry around an unglamorous rucksack of a change of clothes (forever crumpled), deodorant, bike lights, locks and a million other tools and accoutrements. It also does not give you a nice body. Yes, the Tour de France pros, with a body fat percentage lower than a slice of Ryvita, look pretty good. But there are plenty other cyclists with a fat gut and enormous, gladiator thighs, fat knees, bifurcated calves and weedy arms. If it’s a svelte figure you’re after, take up jogging.

I can’t advise you take up cycling. It’s an ugly addiction that will only bring out the worst in your personality and your knees. I have rosy visions of a utopian, generous cycling community; and it’s out there, in patches. But let me warn your here; to irrational, fury-filled and arrogant cyclists like myself, unless you go fast enough, you’re just another thing in my way.

Sophie Knight

Cyclists are fuckheads

Lately I’ve been feeling out of sorts, all annoyed and pissed off. For a while I figured it was on account of this new meditation I was fooling around with. Maybe I was tapping into the ambient anger of the entire world as it floated in, through and, you know, like, totally around my being. Closer, more rational, examination disproved this. The more I focused on my annoyance, the more it became clear that it was stemming from one source, and one source only - cycling. Yep, my big ol’ problem is cycling. More specifically, my problem is cyclists. And more specifically still, my problem is male cyclists. As someone who rides a bike to work and back rain, hail and/or shine – yes, I am quite the boorishly sanctimonious and indefatigable office hero who my colleagues not-so-secretly despise – I spend a couple of hours five days a week (along with the weekend ride – again, what a fucking hero!) watching cyclists either coming towards me, fading behind me, or, humiliatingly, whizzing past me. I have come to hate them in this time and this hate is unfortunately infecting my otherwise rather sweetly good-natured (and only slightly boastful) spirit. Shallow, I know, but there you have it.
There’s no polite way to say it, except to announce that, to me, cyclists are utter fuckheads. I hate them all. There is not one cyclist I like, not one cyclist I wanna be like. Because of this I wanna smash ‘em all; I wanna defeat them. And I want them to know the pain of my beating them. I want to ride so fast that they are forced to cry and quit and chuck their carbon fibre cretin-mobiles onto the freeway to be run over by heartless Toyota Hi-lux after heartless Toyota Hi-lux. I want them to try and catch me and die of heat stroke. I want them to call their wives on their mobile phones in tears asking for them to be picked up in the family truckster, and when they arrive on the scene their wives are so disgusted with them that they leave them for a real man. A man who isn’t a cyclist.

I hate the poseurs in white lyrca who seem to feel they have to ride with their knees about a meter apart cause their packages are so fucking goddamn huge they couldn’t possibly close them and ride like a regular human being. I hate the little ferret-faced with their oh-so-tech-wrap-around non-prescription glasses who uncannily resemble Lleyton Hewitt. I hate how cycling is a rich clown’s game. I hate how it’s the new golf. I hate the groups of wealthy kids wheedling up our local hill led by a fat daddy dork in orange lycra. I hate the bozos spread out at the coffee shop on Sunday mornings looking so sweetly satisfied with themselves for having ridden sixty whole kilometers with a bunch of other middle-aged schlubs kidding themselves they’re athletes for one day of the week.

Hmm, there’s a lot of hate going down here so I should be clear: I hate cyclists who identify as cyclists. Like the way Martians identify as Martians. And I mean road cyclists (and triathletes too but that should go without saying right?). Sure, those melons on mountain bikes wearing jogging shoes who have to push in to be first at those annoying places where the cycleway meets a main road shit me, as do the groups of fat arsed oldsters in flouro yellow yelling “bike up”, “bike back”, “dust on the sidewalk”, “train thirty kilometers away”, “breath of air in Equatorial Guinea”. But, you know, they are minor irritations, lumps to be ridden around, ignored. They don’t grate as much as cyclists because…well…I’ll get to that.

For now, though, I probably should admit that I came to give a shit about cycling kinda late. I was a runner from as soon as I could run away from dogs until my knees felt like they were gonna give way. That was well over thirty years. I know, I was spoilt; I loved running and to enjoy over three decades of it was more than I maybe deserved. While I ran competitively when I was younger and did pretty well, I hated competition and actally loved training. It was the pure brilliant feeling of pushing my body for no other sake than to feel the limits and possibilities; I enjoyed running alone for no other reason than the gorgeous pleasure of it. My best running experiences ever were running around the ‘burb for an hour or so at night, thinking whatever thoughts floated on by, seeing all these lives going on in the windows, feeling my legs but not really feeling them, feeling like I was somehow flying through the night-time air. Bliss. However, as luck (or karma) would have it my right knee started to give way on the downhills. They were unavoidable, unignorable, shooting pains that made me worry I might ruin my ability to even walk again made me think that it was time to stop pounding the roads. Plus, to be honest, I had stagnated. I ran too much – five, six days a week. I didn’t get enough rest and reached this point where I just never really improved.

Instead of taking a rest, seeing a doctor, doing something, um, sensible, I quit. Yet I knew I couldn’t quit the aerobic exercise addiction, so I bought a bike. It’s what runners tend to do. Even at the start, though, I was adamant I didn’t want to ever be a cyclist. I would be just some guy who rode a bike. Because I was just a guy riding a bike I could feel okay when all the cyclist knobs flew on by me while I blissed-out at the scenery. Ah, it was just like my running days with the added bonus of gear to fantasise about. After a while, though, I started to get used to my route. I sped up a bit, and upped the distance too. I got fit in a way I hadn’t been for ages – the lack of road jar was a wonderful revelation. So was my occasional burst of speed. It was then that the rot started to set in. I got disgruntled when a cyclist passed me. I then started to make an effort not to be passed so much. And then I was out of control. I started to feel pissed off and insulted whenever I did get passed…by anyone I remember screaming in the office one morning “he was wearing tracksuit pants and he tried to pass me!!!! Couldn’t he see I was his superior and like stay be-fucking-hind me?” I had completely left behind my beautiful solo exercise dream world in order to enter a world of competition and stupidity. My previously happy ride to work quickly became a race. It was possible, if only in my mind, to win the ride to work. If I passed some other commuters that meant a little, but to cream a roadie, well, that felt like something. It felt like a victory against the enemy. I would come in off a side street and scout for a roadie to humiliate. Then I’d arrive at work or at home with tales of my derring- do, how I passed this idiot with full white team kit on a blingion dollar machine on my old steel fixed and just hung in front of him long enough for him to register my one sprocket rocket and then, oh boy, I totally accelerated him into dithering nothingness. Not just beaten but beaten by a real man on a real bike.

And, well, life got a bit boring after that not just for Bug and my office mates who had to listen to this crap day after day. I festered every time I got on the bike. I had to push every ride as hard as I could go. There was always something to prove, someone to prove myself against. But I think what made me realise I had I hit rock bottom was when I saw this colleague of mine on a bike pedaling along the road after work one day. I’d had this run-in with them (see I’m carefully not giving away whether it was male or female), but hey, now they were on my turf[2]. Oh, and they would pay big time! So, um, what I did was to, like, ride by them as fast as I could, say hi, so they noticed me, and then power over the horizon. Oh yeah, that taught them a lesson! They might win at work but I would win here where it counted, where it was body against body. As I was bragging about this to my typically sweetly bemused Bug, I started to hear myself. What a fucking tool! I also realised that all the competition after and before work on the roads and cycleways is on account of small men like me trying to win at something, anything, after having, or before facing, a day of exhausting failures, a day of being the crappest worker, the dumbest guy in the office, the office joke (or in my case a day of being teased about being the gayest straight man alive – plus being the dumbest guy in my team, obviously). The more they (okay we) strain, the more we are trying to compensate for our crapness and our shallowness and our hopelessness. To need to win so badly at something when you can never really actually be certain anyone else is really racing with you at all is unbelievably pathetic! Which is exactly what I hate cyclists. It’s their oozing need to win, their palpable, transparent desire to look fast. I find this grasping incredibly ugly, despite, and maybe because of the fact that I adopted (or was been infected by) their behavioural, but not sartorial, attributes. I hate cyclists because I am, almost, one of them. My hatred is self hatred. My disdain for their ugliness, is disdain for my own ugliness.

And it is what I perceive as the general ugliness of the sport that has prevented me from developing any romance for cycling . I am not inspired by the tales of the mountains in the Tour de France. I am unmoved by the fatalities, the feats of Merckx, Armstrong and company. They are as gripping to me as tales from the history of Galaga. I just don’t care. Not in the way I cared about how Valerie Borsov ran the 100m, and how big his legs were and short and chopped his arm action was. Not in the way I dug Walter Moses in the 400m, or Arthur Whitfield in the 1500 and the mile. Those men competed with supreme beauty. It was gutsy, but more than gutsy. In my mind, it was regal. It was beyond effort. It was an expression of who they were as humans. In distinction, I look at cyclists and all I see is strain and effort and cloyingness.

In many ways, I blame it on lyrca. Really. Because when I think about it all my athletic heroes are in the past, in the pre-lycra days. Lyrca has ruined sport as an aesthetic encounter. By framing the body too sharply it foregrounds the effort and toil. It also says I would rather look like a dick and shave a fraction of a tenth of a second that look wonderful and do that bit worse. It is mean and grabbing. It reeks of the professional world and as such exists in another zone to the grace and foppish charm of the amateur world when sports where just a part of life. It’s because of this that for me amature life/sports is real life/sports. Sure, runners like four minute mile record breaker, Roger Bannister, had a professional attitude. After all, he used his medical training to try and maximize his performance. Yet he also knew that life held more than sports. He gave himself a deadline to break the mile record after which he would definitely quit in order to become a doctor. This attitude supports sporting effort but locates it within a bigger compass. It is one part of a full life, not something one obsesses about and becomes ever more dull and boring about.

The key to all is that they ride effortlessly and gracefully. That is what I am after. When I pass a cyclist I want to do it without effort. I want it to be a simple extension of not just my physical superiority but my mental and, fuck it, ethical, superiority as well. This superiority is something you just have and I think you get that by not wanting it, or that is what my reading on Zen is telling me. It would be a way of riding without care about how fast you do against others, a way of riding with just the body, carrying your own veil of night-time with you, like a cloud, a fog, a haze separating you from the other lesser mortals, the dipshits on the road with you. There would be no need at all to draw attention to oneself. One could be friendly and courteous and even slow sometimes, because there is nothing to prove. One’s superiority would shine through all one does.

The problem, of course, is not turning into a cyclist in the process. See, last week when I went to Boffins to buy the firstwent to Boffins to buy the first, that connects his straight edge punk roots with his Zen master life now. They didn’t have it but a short book by triathlete (!) Eric Harr caught my eye. It was called, and I am not making this up, Ride Fast. Baby! I couldn’t resist. I devoured the entire thing in one sitting. Hell, I actually did one of his training rides one ridiculously hot Sunday night. I felt like a dick though. Utterly. It was no fun at all, there was no easy spirit, no flare, just a middle-aged guy thrashing his body until his head, literally, felt like it was going to explode. As ugly and as pointless as it felt, that damned book keeps tempting me to the dark side. The issue I have is to be fast without trying and when not riding fast to be elegant without trying. All of which is real tough for someone who is slowing down with each year, getting wider around the middle, thinner on the top and as shaky as Mohammed Ali. Which is why the darkside of training and cycling computers and, ahem lycra, are sometimes tempting. And because it’s so easy to slip over to the darkside, I have to be ever cautious. I think it’s going to be a continual struggle, to ride and not be a cyclist, to be an athlete and an aesthete. It’s gonna be worth it, though, as one day when I pass you on the street while you huff away on your latest model TIME, with your fetid chub crammed into your spandex and your bandana around your fat head and I hardly even notice your existence except as a minor puff in my slipstream, you’ll be inspired to grow up too and learn the power of the Zen aesthete Renaissance man. See, my struggle is our struggle.

Robert Cook

- – – – – – – – – – – – – – – – – – – – – – – – – — – – – – – – – – – – – – – – – – –

  sometime in 2009 , along with a bunch of designers, artists and bike-nerds, we were given a bicycle to customize for a certain event in Tokyo. Since FdC Tokyo is not really about kustomizations and all that, nor about innovations , design and stuff ( we believe there is already far too much genuinely good design around , if we only knew what to do with it … ) the idea was, with minimal intervention, to make something that would somehow be the ‘tokyo bike’, or rather the contradiction in that idea. ( tokyo bikes basically being some 90% heavy but very useful junk that’s somehow treated as public propriety – but that’s a different story – the rest is mostly over-performing, over-expensive stuff)

  using a 650 HED3 front wheel left over from when the trading branch of FdC Tokyo missed the HED sales peak, the basic gestalt of a cool bike appeared. True racing geometry was achieved by flipping over the handlebars (jacques tati style 2:35) and reversing the seatpost clamp.

2009-10. FdC Tokyo

  models: Yuko Satoh and Thomas Antonietti. photos: Alin Huma

up left: (click to enlarge): Yuko is wearing the 2006 Cannondale Team jersey, a pink skirt by Mui Mui and 1970s Puma cycling shoes. Thomas is wearing retro Columbus Team cycling cap, his own skinny jeans and Scarpa rock climbing shoes.

left: Yuko is wearing the standard Japanese ladies’ cycling visor with a vintage 1980s Cinelli casque.


screenshot: Antonin Gaultier 2010
 

The Wind Diaries. Friday

What I can remember of my dream is that I was
in Dubai, at the beach. I’ve never been to the
beach at Dubai, only the airport.
But the beach was like the beach I swam in
as a child. The difference was that the water
was really deep. 

The dream beach and my childhood beach
were equally blue though. 

Anyway, the thing was this: in the dream
the currents were so strong that they churned
the sand so that when you dove into the water
you could find yourself half buried in sand.
It was like the bottom of the ocean was in
constant flux. 

It was scary, but still we dove down. 

Who was I with?
What caused the ocean to be like this?
Why did I keep diving down?
Did I lock my bike? 

 



                        The Wind Diaries. Thursday
                        Brad called.
                        Brad called.
                        Brad called.
                        Brad called.
                        Brad called.
                        Enough times to make it a poem!
                        He said.
                        10km, sea breeze, bad knees!
                        10km, sea breeze, bad knees!
                        10km, sea breeze, bad knees!
                        10km, sea breeze, bad knees!
                        10km, sea breeze, bad knees!
                        He wouldn't let it go!

 
    J. Takehara 2002


 
 

Dan Hards 2010


      Matt Hunt 2005
- – – – – – – – – – – – – – – — – – – – – – – – – – – – – – – — – – – – – – – – – – – – – – – – – – – – – – – – – – – – –



… EMPLOYERS, INSTEAD OF VALUING THE SCHLEPS WITH THEIR MANILA FOLDERS, WERE RECOGNISING THE GENIUS OF OUR TYPE. THESE EMPLOYERS WOULD FIGHT FOR US, FIGHT TO DO ALL THEY COULD TO MAKE US COMFORTABLE BECAUSE THEY KNEW THAT WE WERE ESSENTIAL TO THEIR SUCCESS, THAT OUR IDEAS WERE GOLD, THAT OUR CREATIVITY WAS A DELICATE THING INDEED, AND THAT WE WOULD NEED NEW COMMUNITIES TO KEEP US INTERESTED, THAT WE NEEDED DAILY FLUX AND MELTING POTS AND VIETNAMESE FOOD AND THAT THIS AND THIS ALONE COULD SUSTAIN US.

THESE EMPLOYERS WERE FINDING US UNALIENATED FROM OUR LABOUR JUST AS ADORNO WAS, AND UNDERSTANDING THAT WE HAVE NO NEED OF WHAT THE MASSES CALL FREE TIME. WE HAVE NO NEED FOR HOLIDAYS AND LUXURY CARS AND TIME OFF IN LIEU.

THAT IS ALL WEAKNESS, LET US STAND UP AND BE GREAT MEN WHO LABOUR FOR ALL GREAT MEN.

WE ARE GREAT MEN WHO DO NOT FEAR CHANGE, WE EMBRACE IT, BECAUSE AS FLORIDA PREDICTED, WE DO INDEED MOVE FROM WORK STATION TO WORK STATION, MOVING HORIZONTALLY RATHER THAN VERTICALLY. AS HE PUTS IT: CLIMBING THE CORPORATE LADDER IS NO LONGER SO POPULAR, PERHAPS PARTLY BECAUSE THERE ISN’T AS MUCH OF A LADDER IN MANY OF TODAY’S LEANER FLATTER FIRMS – AND IT IS LIABLE TO SHIFT OR VANISH BEFORE YOU’RE HALFWAY UP. INSTEAD, MORE OF US SWIMMING FROM TREE TO TREE IN SEARCH OF VARIOUS FRUIT”. (P113). IN FACT, VERTICAL DEVELOPMENT AS SUCH IS SOMETHING WE ARE FULLY OVER. VERTICAL DEVELOPMENT IS SOMETHING NONE OF US HAVE EVER EXPERIENCED THOUGH WE HAVE SEEN OUR ELDERS-BUT-HARDLY-BETTERS RISE IN VERTICAL FASHION. THAT IS ENOUGH TO PUT US OFF.

WE BELIEVE IN REGULAR RETOOLING AND WE THINK THIS SAVES US FROM DEPRESSION. WE BASICALLY FIGURE THAT IF AS THE EXPERTS ARE SAYING THE DEPRESSIVE CONDITION CAN BE TOO MUCH FOCUSED ON THE SELF, THEN THE ENGAGED AND VIGOROUS ENGAGEMENT WITH THE WORLD AS A PLASTIC METONYMIC APPARATUS NOT A MOPEY METAPHORICAL ONE, WILL KEEP US SAFE AND SANE.

THESE ATTITUDES HAVE KEPT US BANKABLE PROPERTIES AND SHAPE OUR RELATION TO THE HIGHLY RENUMERATED CULTURE MAKING WE ENGAGE IN TODAY.

… WE ARE VICTIMS GODDAMN IT, THOSE OF US ESPECIALLY WHO GREW UP IN THE 1990′S, WHO WORKED IN NOT JUST A CRITICAL VACUUM THAT HAD NO TIME FOR ANYTHING BUT THE FUCKING LOCAL, BUT A WASTELAND OF OPPORTUNITY TOO THAT MADE US TOO SCARED TO TAKE RISKS AND…

… WELL, I GUESS WE DID BELIEVE THAT CREATIVES – AND NOT AD CREATIVES WITH THEIR SHORT PANTS AND SKATE SHOES – WOULD RUN THE COUNTRY. AND YES WE WENT OUT AND BOUGHT BIKES AND WENT RUNNING TOO …

… BUT, ANYWAYS, WE MADE OURSELVES, LIKE WE WERE TRYING TO SAY ABOVE, A SOCIETY OF PEERS AND STUFF AND TALK TO EACH OTHER AND IT’S WORKING OUT PRETTY WELL ALL THINGS CONSIDERING …

…. WE BELIEVE THAT ALL DISCUSSION IS OVERKILL, THAT THEORY AND WRITING ARE SUPERFLUOUS, THAT THERE IS NO DEBATE THAT WE SIT WITHIN ANYMORE. WE ARE COMMITTED TO THE IDEA THAT THERE IS JUST YOU AND YOUR NAKED BODY BY THE WINDOW …

… AND WE … ARE JUST HAPPY TO CHART SOME CONNECTIONS ON THE INTERNET. THEY ARE THUS: ON JOHN PORCELLINO’S WEBSITE IS A LINK TO JEFFERY BROWN AND ON HIS SITE IS A LINK TO THE GALLERY LA MANO THAT TURNS OUT TO BE RUN BY ZAK SALLY THE BASS PLAYER FROM LOW AND ON THAT SITE IS A LINK TO PAPER CUT OUT ARTIST IDA PEARLE, A ONE TIME BAND MEMBER OF IDA, AND A LINK TO THE SECRET STARS A BAND WHO DISTRIBUTED TAPES ONLY AND ARE COVERED BY IDA AND YET ANOTHER FAVOURITE BAND OF OURS, DEATH CAB FOR CUTIE. ALL THIS LOVE ON THE INTERNET IS WHAT OUR CULTURE IS ABOUT. THESE ARE OUR PEOPLE, OUR SOFT PLACES, WHERE WE DO NOT FIGHT ANYMORE, BUT EMBRACE THE FRAGILITY OF THE AUTOBIOGRAPHICAL, FREE AT LAST, FROM YOUR EXAMINATIONS AND JUDGING EYES.

WE ARE AGAINST STUDENTS AND THE STUDENT BODY AND BIC REFILLS AND KIDS TAKING TEN YEARS TO COMPLETE THEIR STUDIES AND ADULTS WHO GET PHDS AND WHO GO TO CONFERENCES AND SPEAK AS IF PEOPLE CARE ABOUT CONTENT AND NOT FORM AND WE ARE AGAINST ANYONE WHO HAS EVER RUNG UP SOMEONE AND SAID …

… WE HAPPILY GAVE UP OUR JOBS IN THE ART WORLD. I MEAN WHO TALKS ABOUT ART THESE DAYS? IT’S EMBARRASSING, LIKE TALKING ABOUT SPIRITUALITY, THERE ARE SOME THINGS WE DON’T DO, THAT SHOULD BE LEFT BEHIND IN THE 1960s, LEFT IN REPRINTS OF HERBERT READ, IN THE HANDS OF SCIENTISTS WHO WAX LYRICAL ABOUT THE ARTISTIC ELEMENT IN CHAOS, IN OFFICE WORKERS WANTING SOMETHING MORE, IN PEOPLE GOING BACK TO ART SCHOOL AFTER YEARS IN THE LAWN MOWING BUSINESS, LEFT WITH PEOPLE IT MIGHT MEAN SOMETHING TO AS PART OF A DEEP PERSONAL COMMITMENT THING, OF HOW THEY POSITION A GREAT BEYOND TO THE EXIGENCIES OF DAILY PAIN AND PERSONAL TRAGEDY AND MISERY. WE WANT NO PART OF THAT.

WE BOUNCE TO IPODS FULL OF CAGEAN SOUNDTRACKS IN REALISATION THAT AVANT-GARDE ART DIDN’T CO-OPT THE WORLD, THE WORLD SIMPLY TOOK BACK WHAT ART WAS HOARDING – THOUGH IT ALWAYS SEEMED THE OPPOSITE. THE SCARE QUOTES IT WAS IN THE HABIT OF PUTTING AROUND EVERY DAMNED THING – NO MORE.

WE KNOW THAT NOW ART – KEPT LIKE A PET – IS SIMPLY A REMINDER ABOUT THAT TIME, WHEN THERE WAS THAT GAP, THE FRAIL LINE OF SEPARATION, ENOUGH TO SET DESIRE IN MOTION SURE, BUT STOPPING IT MUTATE …

… WE WEAR BACKPACKS AND DO NOT FEAR YOUR GUNS.
WE THINK AIR FRESHENER IS AN OKAY INVENTION. …

September 2005. Fragments from Acquittal Report #1. Originally published in super-limited editions of 10 to 20. Soon to be made available here as pdfs

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M.O.N.D.A.Y.
Ikuko is wearing an A0 size sheet of white paper printed with Opinel knives, shoulderpads by Starstyling. styling and photography : thomas antonietti , ikuko ohara, alin huma /// additional clothing courtesy of Mario’s Left Tanker and Wut Berlin /// big thanks to izumi and nil

a

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FIN DE CYCLES TRACKS

4:52 PM (10 hours ago)
Antonin Gaultier
 to me>>
Hi Alin,

There are many songs that come to mind when one thinks of cycling...
The individual experience of speeding down the hill on a bicyclette -
or zigzaging the urban environment - is of course very personal and
one of those situations where no pre-defined soundtrack should apply
- it’s about the moment, the weather, the time of the day - but a few
tracks come to mind when I think of velo, guidon, pedales or roue-libre.

Allow me to start with the obvious - Kraftwerk. Yes, Tour de France (1983)
would be a no-brainer, but I’d rather take Metal on metal (1977) any
other day. It’s about the man-machine symbiotic connection, not about
winning a race and I like it that way.
If you still need some Euro-cyclisme reference, how about Telex’ very own
Tour de France (1980)? I like it a lot, it’s more Belgian for sure, could
almost fit for l’enfer du nord (Paris-Roubais).
Another obvious song is Queen’s Bicycle race (1978). Yes it works,
but how about Carl Stone recontextualization of the song? His version
(2006) opens the possiblities.
Cyclo, Ryoji Ikeda and Carsten Nicolai iconic piece (2001)
comes to mind too. It makes me want to build an interface between the bike and
the music, something that could interprete your movements and generate sounds.
Not too far stretched is Carl Craig’s recent works, especially his reComposed
album (2008). The repetition, the movement etc, you get the idea. As I am get-
ting older I like Craig more and more, especially when riding in the early mor-
ning on my way back home from yet another party.
The search (for a path, for oneself, for a challenge) should be balanced with
more straight forward moments. Many times I found myself listening to pop,
hip hop or (let’s face it), grime core, and almost killing myself on the bike
(it’s not me it’s the pedestrians). I sometimes wish I had a _Heavy helmet
(2007) especially when remixed by the great Mock & Toof. (I should really
write about Mock & Toof and the uniqueness of what they are doing, the weird
balance of the instruments in the mix, their “disco-dub on the autobahn” way
of remixing others, but well, it’s not really the topic here and autobahn are
not bicycles friendly anyway).

So this is called Fin de cycle, like in Fin de siecle? it reminds me of that
Divine Comedy album of the same name (1998). Divine Comedy could actually work
for a bike ride... OK let’s try fin de cycle / fin de cycle...  Anything by
Stereolab would make sense too, as a protest against cars. Miss modular and
the Dots and loops period (1997)? if it’s sunny yeah, could work.

So: blah blah blah. ANYWAY, you don’t have to take my word for it,
you can download this selection and see for yourself.

Got to pump those tires...